Not enough of our big budget summer movie options measure up in quality to the Marvel or Star Wars franchises.
Everyone expects Avengers: Infinity War, which is widely released in the U.S. tomorrow, to dominate the box office for the next four weeks until Disney’s other can’t miss blockbuster, Solo: A Star Wars Story, takes over on May 25th. Disney moved Infinity War up a week from its original release date to give the movie one additional week to dominate the box office before other big budget competition begins to divide up fans of the big screen.
I will admit that I am excited about seeing Avengers: Infinity War. I grew up a Marvel comic book geek and so far MCU has successfully translated the humor and the humanity of the characters from their pages to the screen. Too often though movies with big budgets spend much of those budget dollars trying to convince us that we should “really like” the movie they created rather than creating the movie we will “really like”. When the expensive product created doesn’t match the creative vision, they plan advertising campaigns to induce the viewing public to bail them out.
As we crash headlong into another blockbuster season, I hope that the industry has more surprises for us this summer. I hope that there are more under the radar summer classics such as Hell or High Water or The Big Sick that overcome the hype of the big budget movie ad campaigns to capture the attention of lovers of quality films. I hope that there are several of these movies and not just one or two. I hope that audiences reject the big budget films that aren’t of the quality of the Marvel and Star Wars franchises. That is how the overall quality of the films available for us to see get better. Movie producers make the movies that they think that people will go to see. If we go to the theater to see more “really like” movies, they will make more “really like” movies.
This is my mission. I want to warn you off of the over-hyped mediocrity of big budget misfires and lead you to the gems that are hidden in plain sight. I do this, not by solely telling you what movies I’ve seen and “really like”, but by consolidating and analyzing the data from the movies that you and other lovers of film have seen and “really like”. In this way, I hope to do my little part in improving the quality of what’s available for us to see and suggest to you what other enthusiasts are identifying as movies that you might “really like”.
This is why I write.
The big box office news this past weekend was the big decline in ticket sales for Suicide Squad and the strong opening for Sausage Party. But, without much fanfare, the best performing movie of the weekend was Hell or High Water. Because it only opened in 32 theaters this weekend, you won’t find it in the box office top ten. It was, however, the number one movie of the weekend in terms of ticket sales per theater, racking up an impressive per screen average of $18,500, well ahead of Sausage Party at $10,828 per screen. Could the Western genre be experiencing a renaissance?
The big box office news this past weekend was the big decline in ticket sales for Suicide Squad and the strong opening for Sausage Party. But, without much fanfare, the best performing movie of the weekend was Hell or High Water, a modern day Western. Because it only opened in 32 theaters this weekend, you won’t find it in the box office top ten. It was, however, the number one movie of the weekend in terms of ticket sales per theater, racking up an impressive per screen average of $18,500, well ahead of Sausage Party at $10,828 per screen. Could the Western genre be experiencing a renaissance?
Westerns were very popular in the twentieth century up until the 1960’s. After that it seemed like their audience rode off into the sunset with the heroes of this genre. The decline of the Western genre may be influenced by the growing purchasing power of women. Today women purchase more than half of the tickets sold at movie theaters and Westerns have not been popular with women.
In a study I did of IMDB’s top movies from the Western genre the problem becomes evident. Women typically make up around 16% of the IMDB vote. For the Western genre women make up around 9% of the vote. For all movies, women have the same IMDB average rating as men. For Westerns, women have an average rating that is 0.3 points lower.
It appears that movie studios recognized that they had a problem attracting women to Western movies and began to make them more female-friendly. My study bears this out.
||IMDB Average Rating
||Female % of all Votes
In terms of female participation and average rating, the gender gap was clearly narrowing in the Post-1969 era.
In my 40 movie sample, three actors appear in multiple movies and they are instructive of the Western gender gap.
||IMDB Average Rating
||# of Movies
||Female % of all Votes
John Wayne and Clint Eastwood are symbolic of the golden age of Westerns and representative of the gender gap experienced by the genre. John Wayne is the tough as nails hero. Clint Eastwood is the tough as nails anti-hero. Kevin Costner, on the other hand plays a more charming and humanistic hero in his movies. Where John Wayne is an Indian fighter in his roles, Costner becomes a friend of the Indians in Dances with Wolves. Where Clint Eastwood is the less than noble loner, Costner in Open Range becomes the romantic partner of the female ranch owner in her quest to protect her land.
In the Post-1969 era of the Western genre, movie producers are clearly recognizing the need to appeal to women to make the genre viable again. On the flip side, the average male vote is lower as the machismo in these movies is mitigated. It is an interesting case study in movie market dynamics.
It will be interesting to track Hell or High Water as it moves to wider release next week. In early IMDB voting, it has 15% female participation in the voting, above average for the genre, and a male average rating of 8.2, suggesting strong male appeal. Early on it is threading the gender gap needle. We’ll have to wait a few weeks to see if this early trend continues.